Critical Musicology

Jean Michel Jarre y Pierre Schaeffer. Un vínculo excepcional entre Oxygène (1976) y la Musique Concrète (AAA·TAC, nº 7, Fabrizio Serra Editore, 2010-2011)

Musicology / Johann Wolfgang von Goethe / Cultural Musicology / Electroacoustic Music / Critical Musicology / Berlioz / Pierre Schaeffer / Historical Musicology / Karlheinz Stockhausen / Olivier Messiaen / Hector Berlioz / New Age / theologie, music, Olivier Messiaen / Alban Berg / Composers of Electroacoustical Music / David Bowie / Pink Floyd / Pierre Boulez / Centre Georges Pompidou / Musique Concrète / Anton Webern / Schonberg Arnold / Olvier Messiaen / New Age Movement / Musica Electroacustica / Luc Ferrari / Jean Michel Jarre / Francis Dreyfus / Patrick Juvet / Groupe de Recherches Musicaux (GRM) / Berlioz / Pierre Schaeffer / Historical Musicology / Karlheinz Stockhausen / Olivier Messiaen / Hector Berlioz / New Age / theologie, music, Olivier Messiaen / Alban Berg / Composers of Electroacoustical Music / David Bowie / Pink Floyd / Pierre Boulez / Centre Georges Pompidou / Musique Concrète / Anton Webern / Schonberg Arnold / Olvier Messiaen / New Age Movement / Musica Electroacustica / Luc Ferrari / Jean Michel Jarre / Francis Dreyfus / Patrick Juvet / Groupe de Recherches Musicaux (GRM)

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Folclore e idiomaticidad: Violeta Parra y su doble pertenencia a la industria cultural

Critical Musicology / Popular musicology / Musicology, Spanish Music Historiography / (etno)musicologia / Idiomaticity / Cultural Industry / Músicas Tradicionales / Industria Cultural / Violeta Parra / IASPM / Chilean Musicology / Música popular chilena / Música tradicional chilena / Idiomaticidad musical / Cultural Industry / Músicas Tradicionales / Industria Cultural / Violeta Parra / IASPM / Chilean Musicology / Música popular chilena / Música tradicional chilena / Idiomaticidad musical

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Música espanyola per a guitarra. Del romanticisme al nacionalisme – Carles Trepat (La Mà de Guido LMG2012. 1995) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Nationalism / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica

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El Albaicín – Carles Trepat (Nuevos Medios 158.40 CD. 2007) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916) / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916)

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Classical Instrumental Music and Narrative

Music Theory / Musicology / Performance Studies / Narrative / Narratology / Music Aesthetics / Music Criticism / Beethoven / Critical Musicology / Music Performance / Music Aesthetics / Music Criticism / Beethoven / Critical Musicology / Music Performance

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Performatividades líquidas y juicio de valor en las músicas del siglo XX

Latin American Studies / Popular Music Studies / Jazz Studies / Critical Musicology / Astor Piazzolla / Música Popular / Paco de Lucía / Música Popular / Paco de Lucía

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Las cartas musicales de Benito Jerónimo Feijoo y su difusión en Venezuela durante el período colonial

Music / Musicology / Critical Musicology / Historical Musicology / Música y estudios culturales / Musicología histórica

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Aproximacion corporal al prensamiento coreutico-musical de Luigi Boccherini a partir dell celebre minuetto

Critical Musicology / Boccherini, Luigi / Dance Theory, Choreology, Movement Analyse / Danza Histórica - Early Dance - Danse Ancienne - Danza Espà

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Dialéctica de las experiencias musicales: la Fiesta Patronal en Estancia La Candelaria

Critical Theory / Music / Cultural Tourism / Experience Economy / Critical Musicology / Experiencing Music

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Interpretar la música ibérica del siglo XVIII. Entre la ejecución y la performance

Iberian Studies / Performance Studies (Music) / Critical Musicology / Eighteenth-Century Music / 18th C. Spanish and Hispanic Music

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Híbridos poético-musicales: epistemología, metodología y percepción

Musicology / Literature and Music / Cultural Musicology / Critical Musicology

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Recreaciones musicales del Quijote en La Mancha: voces veteranas y jóvenes talentos

Musicology / Literature and Music / Music and Literature / Critical Musicology / Cervantes / Don Quixote and Cervantes in the Music

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El nombre de Dulcinea en la música española del siglo XX. Las composiciones de Alberto Carretero, Javier Jacinto y Manuel Millán de las Heras

Musicology / Literature and Music / Critical Musicology / Cervantes / Don Quixote and Cervantes in the Music

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¿QUÉ SIGNIFICA ENTENDER UN TEXTO DEL PASADO?. CRÍTICA A LOS PREJUICIOS Y CONTRADICCIONES EN EL MOVIMIENTO HISTORICISTA DE LA MÚSICA ANTIGUA A TRAVÉS DEL PESAMIENTO GADAMERIANO.

Critical Musicology / Historical Musicology / Música / Musicología histórica / Musicologia Crítica / Música Historicista

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\"Expressive Potential\" and Music Criticism

Cultural Studies / Music Theory / Musicology / Queer Studies / Aesthetics / Reception Studies / Queer Theory / Gay And Lesbian Studies / Audience and Reception Studies / Music Aesthetics / Cultural Musicology / Music Therapy / Critical Musicology / Music analysis / Reception Studies / Queer Theory / Gay And Lesbian Studies / Audience and Reception Studies / Music Aesthetics / Cultural Musicology / Music Therapy / Critical Musicology / Music analysis

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Empathic Listening as a Transferable Skill

Social Psychology / Music / Musicology / Aesthetics / Ethics / Empathy (Psychology) / Music Psychology / Philosophy of Music / Listening (Music) / Critical Musicology / Philosophy of Music Education / Empathy (Philosophy) / Effective Listening / Teaching Listening / Empathy, Compassion, Trust / Empathy (discourse) / Listening / Listening Comprehension / Empathy in Education / Defining Listening / Social empathy / Listening Strategies / Deniz Peters / Empathy (Psychology) / Music Psychology / Philosophy of Music / Listening (Music) / Critical Musicology / Philosophy of Music Education / Empathy (Philosophy) / Effective Listening / Teaching Listening / Empathy, Compassion, Trust / Empathy (discourse) / Listening / Listening Comprehension / Empathy in Education / Defining Listening / Social empathy / Listening Strategies / Deniz Peters

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